CREATIVE TECH & CODE
CREATIVE TECH & CODE
CREATIVE TECH & CODE
TITLE
TITLE
TITLE
CREATIVE TECH & CODE
CREATIVE TECH & CODE
CREATIVE TECH & CODE
ORGANIZATION / LOCATION
ORGANIZATION / LOCATION
ORGANIZATION / LOCATION
VARIOUS CLIENTS
VARIOUS CLIENTS
VARIOUS CLIENTS
YEAR
YEAR
YEAR
2022-ONGOING
2022-ONGOING
2022-ONGOING
SERVICE
SERVICE
SERVICE
AUDIO-REACTIVE VISUALS, LIVE PERFORMANCE CREATIVE CODING, GENERATIVE ART, NEW MEDIA DESIGN
AUDIO-REACTIVE VISUALS, LIVE PERFORMANCE CREATIVE CODING, GENERATIVE ART, NEW MEDIA DESIGN
AUDIO-REACTIVE VISUALS, LIVE PERFORMANCE CREATIVE CODING, GENERATIVE ART, NEW MEDIA DESIGN
As a freelance art director and creative technologist, I specialize in crafting immersive, audio-reactive visuals for musicians, DJs, and live events. My work blends real-time creative coding with elements of AR, VR, and 3D motion design, resulting in abstract, texture-rich experiences rooted in color theory, iconography, and ecological storytelling. Each collaboration is unique, guided by the sonic landscape and tailored to the aesthetics and themes of the artist or event. I often draw on experimental design languages, using custom shader systems, generative particle simulations, and interactive environments that invite audiences into a more embodied relationship with sound and space. These visuals are designed to live beyond the screen, transforming spaces into sensorial environments—whether projected inside music venues, industrial buildings, galleries, or public sites like parks and beaches. I treat each site as a living canvas, responding to its architectural and cultural context. By incorporating spatial computing, responsive lighting systems, and site-specific design, the work creates atmospheres that pulse with presence. Whether ephemeral or archival, the experiences invite audiences into altered states of perception, where art, technology, architecture, and ecology converge through rhythm, resonance, and reflection.
As a freelance art director and creative technologist, I specialize in crafting immersive, audio-reactive visuals for musicians, DJs, and live events. My work blends real-time creative coding with elements of AR, VR, and 3D motion design, resulting in abstract, texture-rich experiences rooted in color theory, iconography, and ecological storytelling. Each collaboration is unique, guided by the sonic landscape and tailored to the aesthetics and themes of the artist or event. I often draw on experimental design languages, using custom shader systems, generative particle simulations, and interactive environments that invite audiences into a more embodied relationship with sound and space. These visuals are designed to live beyond the screen, transforming spaces into sensorial environments—whether projected inside music venues, industrial buildings, galleries, or public sites like parks and beaches. I treat each site as a living canvas, responding to its architectural and cultural context. By incorporating spatial computing, responsive lighting systems, and site-specific design, the work creates atmospheres that pulse with presence. Whether ephemeral or archival, the experiences invite audiences into altered states of perception, where art, technology, architecture, and ecology converge through rhythm, resonance, and reflection.
As a freelance art director and creative technologist, I specialize in crafting immersive, audio-reactive visuals for musicians, DJs, and live events. My work blends real-time creative coding with elements of AR, VR, and 3D motion design, resulting in abstract, texture-rich experiences rooted in color theory, iconography, and ecological storytelling. Each collaboration is unique, guided by the sonic landscape and tailored to the aesthetics and themes of the artist or event. I often draw on experimental design languages, using custom shader systems, generative particle simulations, and interactive environments that invite audiences into a more embodied relationship with sound and space. These visuals are designed to live beyond the screen, transforming spaces into sensorial environments—whether projected inside music venues, industrial buildings, galleries, or public sites like parks and beaches. I treat each site as a living canvas, responding to its architectural and cultural context. By incorporating spatial computing, responsive lighting systems, and site-specific design, the work creates atmospheres that pulse with presence. Whether ephemeral or archival, the experiences invite audiences into altered states of perception, where art, technology, architecture, and ecology converge through rhythm, resonance, and reflection.












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